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The Shirt Off Your Back
State
Australia
Genre
Documentary | Drama
Duration
8:55
Key Cast
Eden Wendt, Blye Hawk
Director
David Robinson-Smith
Producer
Julia Corcoran, Julie Ryan, Ari Harrison
Screenwriter
David Robinson-Smith
Executive Producer
Cinematographer
Jaclyn Paterson
Composer
Editor
Phoebe Taylor

Two brothers re-live a strange encounter with a man on something unknowable—something that quietly, irrevocably changes them.

Director Biography.
David Robinson-Smith is an award-winning Australian writer and director based in Budgewoi on New South Wales' Central Coast. His storytelling explores themes of ambiguity, regret, memory, and class, often focusing on morally complex characters to uncover the nuances within these areas. David's filmography includes the short film Mud Crab (2022), which has garnered international recognition. It has been featured at prestigious events such as the Santa Barbara International Film Festival (USA), Raindance Film Festival (London), Melbourne International Film Festival (Australia), and the BAFTA Aesthetica Short Film Festival (York). Mud Crab has won multiple awards at CILECT, the Australian Director’s Guild, St Kilda Film Festival, and Flickerfest, and is nominated for Best Short Film at the 2024 AACTA Awards. David’s next short film, We Used To Own Houses (2023), had its world premiere at the Melbourne International Film Festival as part of its renowned 2023 Accelerator Lab, in addition to screening at SXSW Sydney. It has also been nominated for Best Direction in a Short Film at the 2023 Australian Director’s Guild Awards, and won Best Short Film at CICLOPE Asia. David’s current short film The Shirt Off Your Back (2025) is in post production. In 2025, David received Screen Australia development funding for his debut feature film, Colossus, in collaboration with Executive Producer Michele Bennett and Producer Julia Corcoran. He is also writing another upcoming feature, Sundowner, with Executive Producer Ari Harrison and Producer Julie Ryan of Sanctuary Pictures. Sundowner is supported by Screen NSW. David was selected as one of the directors in IF Magazine’s Rising Talent issue.
Director Statement.
The Shirt Off Your Back is a deeply personal film, based on a real incident involving my nephews, Eden and Blye, on Christmas Day in 2023. In the film, they play themselves, recounting their perspectives on an encounter with a man who stopped them and asked to buy one of their shirts. Through their retellings, the man’s identity shifts, morphing depending on their memory and subconscious impressions. Their understanding of the encounter is shaped not just by the moment itself, but by the way children interpret fear —filtered through pop culture, from Netflix series like Jeffrey Dahmer to fantasy-based demonic figures. Making the film with them was a truly collaborative process. Eden and Blye had been eager to explore acting and creativity, and this project gave them the opportunity to engage with filmmaking in a way that felt natural and instinctive. More than just performers, they actively shaped aspects of the storytelling, with their own perspectives informing creative choices. I think this approach led to a film that has a naturally dark, unsettling feel, but one that also retains a playful, funny side—capturing the way kids process the world around them, often balancing fear with humour. Working with Eden and Blye forced me to embrace a more improvisational, open, and free approach to filmmaking. Any meticulous plan I had would inevitably fall apart to the whims of the kids, as their ideas and instincts shifted in the moment. Instead of resisting it, I leaned into the unpredictability, allowing their perspectives to shape the film in ways I couldn’t have planned. The story reminded me of moments from my own childhood— times when I unknowingly found myself in situations that, in hindsight, were far more dangerous than I realised at the time. As I grew older and became more aware of adults and their complexities, I started to reflect on those moments differently, questioning what they actually meant. As I talked to more people and pitched the story, I found that nearly everyone had an experience like this. Everyone had a moment in childhood where they brushed up against something unknown— something that, even if it wasn’t fully understood at the time, left a deep and lingering awareness within them. At its core, The Shirt Off Your Back is about that shift—the moment innocence fractures, when childhood collides with the ambiguity and darkness of adulthood. It’s a film about the unknowability of evil, the fallibility of memory, and the quiet ways we carry those formative moments with us. The final image—the demon-like figure—isn’t just a reflection of fear; it’s the subconscious processing of something that can’t quite be put into words. Eden stares at it, and the memory stares back— something he has to live with forever. On some deep level, Eden leaves the scene with an unspoken understanding: what seemed like a simple exchange was, in truth, the quiet loss of childhood—his first encounter with the unknowable and the darkness we all come to recognize, the kind that lingers in memory and becomes a part of us.